
The prosecution of African slaves for murder and piracy aboard an illegal Spanish slave ship off the coast of Cuba, and their dramatic acquittal at the U.S. Supreme Court in 1841, was all but forgotten until Steven Spielberg’s film “Amistad” refreshed our memory. The movie was based primarily on a 1987 book by Howard Jones. (Click on the images above for details or to purchase.)
For a deeper exploration of the legal issues—including the complete trial record and maps of the voyages—see the University of Missouri Law School’s website.
Mutiny on the Amistad: The Saga of a Slave Revolt and Its Impact on American Abolition, Law, and Diplomacy
By Howard Jones
Oxford University Press, 1987, 304 pages
$31.09 paperback, $13.47 Kindle
In 1839, captive Africans being transported illegally as slaves commandeered the Spanish slave ship La Amistad (“Friendship”) off the Cuban coast, and killed all but two of the crew. The 53 mutineers were tricked by the surviving crew members into sailing to the Long Island coast instead of back to Africa. The U.S. Navy siezed and imprisoned the Africans, and charged them with murder and piracy. In March 1841, the U.S. Supreme Court freed the surviving 35 Africans (including their leader Cinque), and 10 months later they returned to Sierra Leone. “The trial raised fundamental legal questions about the relevance of slavery and race to the American conception of liberty,” according to Library Journal, and “temporarily united disparate factions of the fledgling abolitionist movement.” It also prompted President Van Buren to improperly interfere with the judicial process. Jones’s book is generously illustrated and documented.
The Amistad Revolt: Memory, Slavery, and the Politics of Identity in the United States and Sierra Leone
Iyunolu Folayan Osagie
University of Georgia Press, 2003, 216 pages
$22.95 paperback
This “extended essay” examines the cultural significance of the 1839 Amistad revolt in contemporary America and Africa. The author is from Sierra Leone, where the Africans on the Amistad were enslaved. She sees the “re-memory” of the story, chiefly as a result of Spielberg’s 1997 film “Amistad,” as significant for the national and cultural identity in both Africa and the African diaspora in America.
Amistad
Starring Djimon Hounsou (as Cinque), Matthew McConaughey, Morgan Freeman, and Anthony Hopkins. Director Steven Spielberg
Dreamworks, 1997, 2 hrs 35 mins, Rated R
$7.99 on DVD
“Amistad” garnered four Academy Award nominations, including Best Supporting Actor (Anthony Hopkins as John Quincy Adams). BlogCritics called it “one of the more dramatic and important films of the decade. ‘Amistad’ serves as a reminder that freedom is not to be taken for granted.”
A review in Entertainment Weekly, on the other hand, said the film “takes on a mass atrocity…but its approach is almost bizarrely academic. Midway through, there’s a 20-minute sequence that showcases, in graphic detail, the claustrophobic horrors of the ‘Middle Passage’ (bloody whippings, starvation, mass drownings). Otherwise, the film seems all but uninterested in the psychological experience of slavery. Its investment is in the issue of slavery, one that Spielberg uses to craft a courtroom drama of dull, soapbox ponderousness. By the time John Q. Adams shows up at the Supreme Court, the film has lapsed into liberal self-caricature.”










